All Rembrandt van rijn Oil Paintings

1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.
 

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Rembrandt van rijn Easel in front of a self-portrait oil on canvas


Easel in front of a self-portrait
Easel in front of a self-portrait
Painting ID::  57297
  mk255 for in 1660. 11.11 x 0.85 meters canvas. Paris, the Louvre
  mk255 for in 1660. 11.11 x 0.85 meters canvas. Paris, the Louvre

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Rembrandt van rijn Judas returning the thirty silver pieces. oil on canvas


Judas returning the thirty silver pieces.
Judas returning the thirty silver pieces.
Painting ID::  68574
  1629 Oil on panel 79 ?? 102.3 cm (31.10 ?? 40.28 in)
  1629 Oil on panel 79 ?? 102.3 cm (31.10 ?? 40.28 in)

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Rembrandt van rijn Judas returning the thirty silver pieces. oil on canvas


Judas returning the thirty silver pieces.
Judas returning the thirty silver pieces.
Painting ID::  68779
  1629 oil on oak panel 79 X 102.3 cm (31.10 X 40.28 in)
  1629 oil on oak panel 79 X 102.3 cm (31.10 X 40.28 in)

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Rembrandt van rijn portratt av titus oil on canvas


portratt av titus
portratt av titus
Painting ID::  70809
  olja pa duk 64x70.5cm 1655-56 se
  olja pa duk 64x70.5cm 1655-56 se

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Rembrandt van rijn rembrandts mor oil on canvas


rembrandts mor
rembrandts mor
Painting ID::  70810
  olja pa tra 61.7x79.5cm 1700-talet se
  olja pa tra 61.7x79.5cm 1700-talet se

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     Rembrandt van rijn
     1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.

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